Last week, No Pool’s Ben Hasic was contracted by Fourth Wall Events to cover the Launch Event for the latest season of the Hyundai A-League.
This evening, September 10th, attendees of the 2016 Nelune Lilac Ball at Sydney’s Four Seasons Hotel were urged toÂ open their hearts and pockets to raise major dollars for The Nelune Foundation.
Earlier this year, No Pool’s Ben Hasic was contracted by ABC’s Good Game to shoot two Magic: The Gathering events as part of a case study segment on the world of Professional Magic: The Gathering. Â
During August and September, the No Pool team has been contracted to work on social media and campaign content for Christine Forster, the Liberal Candidate for Lord Mayor of Sydney.
During this July, we got an early start on interviews for theÂ 2016 Nelune Foundation Lilac Ball feature documentary. Â This year, the piece focuses on a single family and their cancer journey over the past two years, as well as their relationship with The Nelune Foundation.
With the initial 15 week run of our weekly ‘Luxbet QuickStat’ series forÂ Atomic 212Â° and TAB coming to an end in mid-June, it was time to evaluate the project and go over the metrics. Â
This weekend,Â the world around us was not what it seemed. Â The Sydney Opera House was host to the Aegis Nova XM Anomaly Event, a series of free events for Ingress players.Â
This year we were lucky enough to attend the 2016 National Association of Broadcasters held at the Las Vegas Convention Centre. NAB show isÂ the world’s largest annual convention covering filmed entertainment and the development, management and delivery of content across all mediums. Â
This year, we’ve been contracted by Atomic 212Â° to produce a series of weekly sports update videos to be shared on Luxbet’s social media channels. Â Each week, we produce ‘Luxbet QuickStat’, a series of short sports updates about the upcoming NRL & AFL matches of that week.
As we prepare for another few months of pre-production and planning for the 2016 Nelune Foundation Lilac Ball Feature Documentary, I thought it best to have a look back at the production of the 2015 piece.